劇場版
[Fire Walk With Me (movie) - 8/28/92
Written by David Lynch and Robert Engels
Directed by David Lynch]
Day
-- Teresa Banks' body, wrapped in plastic, floats along in Wind River
[Cooper tells Diane he is standing at Wind River near where the body was
found]
Day
-- Gordon Cole's office in Portland.
C: GET ME AGENT CHESTER DESMOND OUT IN FARGO, NORTH DAKOTA.
-- Fargo, North Dakota. Desmond and two other agents are in the middle of
busting some prostitutes. Kids in a bus are crying and screaming.
Desmond's car phone rings and Cole tells him he's needed out west.
D: {answers car phone} Hello.
C: CHET, I'M CALLING YOU FROM PORTLAND, OREGON. {Desmond lowers
the antenna} IT'S REGIONAL BUREAU CHIEF GORDON COLE CALLING FROM
PORTLAND, OREGON.
D: OKAY, GORDON.
C: O-RE-GON!! I GOT A GIRL THAT'S BEEN MURDERED. SEVENTEEN YEARS
OLD. NAMED TERESA BANKS. CHET, I'VE GOT A SURPRISE FOR YOU.
SOMETHING INTERESTING I WOULD LIKE TO SHOW YOU. ARRANGEMENTS ARE
BEING MADE AND I WILL MEET YOU AT THE PRIVATE PORTLAND AIRPORT.
D: Okay, Gordon.
-- Private Portland Airport. Desmond flies in.
Cole: Chet, good to see you.
Desmond: {shakes Cole's hand} Gordon.
C: CHET, GIVE SAM STANLEY THE GLAD HAND. {motions to Stanley}
HE'S COME OVER FROM SPOKANE.
S: {shakes Desmond's hand} Pleasure. Heard a lot about you.
C: SAM'S THE MAN WHO CRACKED THE WHITMAN CASE.
D: {to Sam} Congratulations. {to Cole} I HEARD ABOUT THAT.
C: CHET, YOUR SURPRISE. {motions to a hangar}
{Lil walks out, wearing a red wig, does a dance. She makes a sour face,
walks in place, puts one hand in her pocket, and makes a fist with the
other while blinking both eyes.
C: HER NAME IS LIL. SHE'S MY MOTHER'S SISTER'S GIRL. {holds four
fingers in front of his eyes}
D: Federal.
C: GOOD LUCK, CHET. SAM, YOU STICK WITH CHET. HE'S GOT HIS OWN
M.O. - MODUS OPERANDI. YOU FELLAS CAN REACH ME IN THE PHILADELPHIA
OFFICES. I'M FLYING OUT TODAY.
-- On the highway, Desmond explains Lil's dance to Stanley.
S: That really was something with the dancing girl, wasn't it?
What exactly did that mean?
D: I'll explain it to you. Remember Lil's wearing a sour face.
S: What do you mean?
D: Her face had a sour look on it. {Stanley nods} We're gonna
have problems with the local authorities. They're not gonna be
receptive to the FBI. Both eyes blinking means trouble higher up.
The eyes of the local authority. Sheriff and a deputy'd be my guess.
You notice she had one hand in her pocket. Which means they're
hiding something. And the other hand made into a fist, which means
they're gonna be belligerent. Lil was walking in place which means
there's gonna be a lot of legwork involved. Cole said
Lil was her mother's sister's girl. Now what's missing in that
sentence? The uncle. Not Cole's uncle but probably the sheriff's
uncle is in federal prison. Let me ask you something Stanley.
Did you notice anything about her dress?
S: The dress was altered to fit her. I noticed a different color
thread where the dress was taken in.
D: Gordon said you were good. Tailored dress is our code for drugs.
S: Oh.
D: You notice what was pinned to it?
S: A blue rose?
D: Good. But I can't tell you about that.
S: Can't?
D: No, I can't.
4:30 pm (Cable to Desmond)
-- Desmond and Stanley at the sheriff's station in Deer Meadow.
{Desmond is waiting at the counter, Stanley is casing the place.
Receptionist is reading a book. Nothing. Then the deputy walks in.}
Desmond: Good afternoon. Federal Bureau of Investigation. Special
Agent Chester Desmond. I'd like to see Sheriff Cable please.
Deputy Cliff: Why don'tcha have a seat over there why don'tcha
partner. Go ahead, make yourself at home... 'cause it's gonna be
awhile. {receptionist laughs. Cliff leans over, whispers to
her and they laugh some more} Why don'tcha have some coffee
there? It was fresh about two days ago. {laughs with receptionist}
D: I've had enough of the waiting room now. {walks around the
counter}
C: Oh, is that so? {blocks Desmond's way}
{Desmond stops in front of Cliff, one hand raised. Pause. Then he
grabs Cliff's nose and spins him into a chair and knees him.}
D: {to receptionist} You can start that fresh pot of coffee right
now.
-- Desmond walks into Cable's office.
C: How the hell did you get in here?
D: Federal Bureau of Investigation Special Agent Chet Desmond.
I'm here to investigate the murder of Teresa Banks.
C: Well... little fella. We don't need any outside help
around here. I don't like you people sniffing around my neck
of the woods. In fact, when the state boys told me about a J.
Edgar coming up here. I think I said, "so what?"
{Cliff walks in, still holding his nose}
D: S'All right deputy. Sheriff Cable can handle it from here.
Cable: Cliff... {motions to him, Cliff walks out}
D: Your behavior's not funny. It's wasting the time of the federal
government.
C: You're lucky I'm not wasting you.
D: Well little fella, let me put it to you this way. The
operative word here is "federal." I'm now ordering you to release
all pertinent information concerning Teresa Banks. Both while
living and deceased.
C: {pulls out a box, tosses it at Desmond} Basic kill. Banks was
a drifter and nobody knew her.
D: Where's the body?
C: It's out in back in our morgue. {Desmond starts to walk out}
It's 4:30. We close at 5.
D: We have our own clock. We'll lock up.
{On his way out, Desmond notices a framed newspaper clipping on the
wall. It reads "Cable Bends Steel" and there is a picture of Cable
bending a steel bar.}
-- Desmond and Stanley walk to the adjoining morgue.
Stanley: You know, Agent Desmond, I figure this whole office,
furniture included, is worth $27,000.
-- At the morgue, Desmond reads Teresa's file.
D: {reading} Teresa Banks... Teresa Banks lives at the Fat Trout
Trailer Park for a month. We'll check that.
S: Yeah.
D: Worked as a waitress at Hap's diner. Worked the night shift.
Good place for dinner when we're through here, Sam.
S: Yes...
D: No one came to claim the body. No known next of kin.
S: {get his recorder out, hits record and sets it down, examines
Teresa} Crushed skull. Probable cause repeated blows to the
back of the head by a blunt obtuse angled object. {noticing}
I wonder where her ring is?
D: Personal effects include a watch, undergarment, pink waitress
uniform... {looks through personal effects} The ring's missing.
S: {looking at the ring finger of the left hand} Seems to be an
interesting contusion. Under the ring finger of the left hand.
D: Accidental?
S: {pulls his machine over, puts Teresa's hand in it, looks through
it} Agent Desmond, could you hold the finger for me please?
{Desmond holds the hand in place} There's something in there.
{pulls the fingernail back} Yes...
D: What is it?
S: A piece of white paper. With the latter T imprinted on it.
Come here, take a look. {Desmond looks}
3:30 am (Stanley to Desmond)
-- Stanley and Desmond exit the morgue.
S: Agent Desmond, it's 3:30 in the morning. When are we going to
sleep?
D: We're not. You and I are gonna get some food.
-- Hap's Diner. There in the manager's office, they question the manager
Jack who is wearing a button that reads "Say hello to Jack" with "hello"
crossed out and "goodbye" scratched above it.
J: Ask Irene about that. Irene knows that. Now, Irene is her name
and it is night. Don't go any further with it. There's nothing
good about it. {Desmond and Stanley head towards the counter}
Someone is working in the room on a light that keeps buzzing and
shorting.
J: How's it going with that goddamn lamp?
-- At the counter, they question Irene.
D: Federal Bureau of Investigation. Special Agent Chet Desmond.
I'd like to ask you a few questions about Teresa Banks. Jack
said you knew her. How well?
I: She only worked here a month. Nice girl. Never seemed to get here
on time, though. If you ask me, she had a little problem with...
{sniffs hard three times}
D: Did you ever see Teresa Banks take cocaine?
I: No.
D: Do you ever take cocaine, Irene?
I: No I do not. I never took cocaine or any other drug. I don't
take drugs.
S: Nicotine's a drug. Caffeine's a drug.
I: {to Desmond, motioning to Sam} Who's the toehead? {to Sam}
Those drugs are legal.
D: He's with me. Is there anything you'd like to tell us about
Teresa Banks that might help us out?
I: I been thinking about that. If you ask me, her death was what
you'd call a freak accident.
D: Thanks.
Man: Are you talking about that little girl that got murdered?
D: You got something to tell us?
Man: I know shit from shinola. {woman with him says something to him}
S: {quietly to Chet} Agent Desmond, should we question him?
D: {sees Stanley holding his coffee in his left hand} What time is
it, Stanley? {Stanley spills his coffee all over himself who dabs at
himself with napkins} It's late, Sam. I'm sorry.
S: It's early. It's really early.
I: You know, I never told anybody this. But once, for about three
days, just before her time, Teresa's arm went completely dead.
D: What do you mean?
I: Her left arm. It was numb. She said she couldn't use it.
Probably those drugs she was taking. I just thought I'd oughta
tell you.
D: Thanks.
Man: Are you talking about that little girl that got murdered?
S: {quietly to Chet} I doubt it was a drug problem. Probably a
nerve problem. I could recheck the arm for injuries but I'd
have to take the body back to Portland to do some real nerve work.
D: I think that's a good idea.
S: Irene, we'd like to order some food please.
I: You want to hear about our specials? We don't have any.
Dawn
-- Desmond and Stanley arrive at Fat Trout Trailer Court and bang on Carl
Rodd's door (it reads, "Do not ever disturb before 9 a.m... ever").
R: {from inside, cranky} WHAAAAT? WHAT IS IT?! WHAT?!
D & S: {notice the message and fumble their badges out} Nine...
R: Can't you read?!
S: It's really late. Or really early.
{Rodd kicks the door open}
D: Federal Bureau of Investigation Special Agent Chet Desmond, Agent
Sam Stanley. Sorry to disturb you but we need to see Teresa Banks'
trailer.
R: Oh shit. That goddamn trailer's more popular than uncle's day
in a whorehouse. You see what I mean? It just means I-- more shit I
gotta do now.
-- Desmond and Stanley look around Teresa's trailer.
R: {outside} Everything's exactly like she left it, I haven't
touched a goddamn thing! God!
D: {notices a picture in which Teresa is wearing a ring} Take a look
at this.
S: {looks} She's got the ring on.
R: {outside} Well I'm gonna make myself a cup of Good Morning
America. Y'all want some? {Chet and Sam mutter affirmatives, Rodd
nods, walks back}
-- Rodd brings them some coffee.
R: {with mugs} Here you go boys.
D: Hey. {takes mug}
R: Good Morning America. {gives one to Sam who drinks and coughs}
D: You weren't kidding. This stuff's got the sting of the 48 hour
blend.
R: {all laugh} That's right. That's the best goddamn coffee you're
gonna get anywhere, buddy.
S: We sure do need a good wake-me-up, don't we Agent Desmond. {looks
at Chet} We sure do need a good wake-me-up, don't we Agent Desmond.
D: Yeah, we do, Sam.
{grimy old lady with an ice pack over one eye walks up to the door}
D: {to lady} Did you know Teresa Banks?
{Telephone pole accompanied by the Indian whooping sound. On it are
visible 24810 (a digit before and after are covered) and a large 6,
lady walks away}
R: {emotional} See, I've already gone places... I just want to stay
where I am.
Midday
-- At the Sheriff's station, Cable won't let the FBI take the body.
{Desmond and Stanley walk in, FBI van driver is standing there,
so is Cable, Cliff and the receptionist eating a donut}
Cable: What the hell is that thing doing out there? You're not taking
that body anywhere.
D: {looks at the driver, then to Cable} We're taking the body back
to Portland and there's not a thing you can do about it. Teresa
Banks had a ring. Any idea what happened to it?
Cable: We got a phone here. It's got a little ring.
-- Stanley gets in the crime van with Teresa's body.
D: Take the van back to Portland, Stanley. I'm going to take one
more look at the trailer park.
S: Agent Desmond. One thing has been troubling me. The blue rose.
You're going back to the trailer park for the blue rose.
Day
-- Desmond is back at the trailer park.
R: That's Deputy Cliff's trailer over by the red truck. That's his
truck too.
D: Teresa Banks' trailer is over... here. {looking back}
R: Right where we left it.
Old lady: Where's my goddamn hot water?
R: I'll be in my trailer.
OL: Hot water, Carl.
R: I'm gonna get you some Valium. {leads her away}
{Desmond sees the telephone pole [Indian whooping noise], then looks
towards another trailer. He walks over to it and sees a mound of dirt
with a small indentation at the top. Teresa's ring is in it. He
reaches out to take it.}
16 Feb
10:10 am (Cooper to Cole)
-- In Philadelphia, Cooper enters Cole's 7th floor office.
C: Gordon, it is 10:10 a.m. on February 16th. I was worried about
today because of the dream I told you about.
He walks from the room into the hallway and looks into the lens of the
surveillance camera. He runs into the surveillance room and sees an
empty hallway on the monitor. Back to the hall, then back to the
surveillance room. The monitor shows an empty hallway. He runs back
into the hallway. Behind him, at the end of the hall, an elevator door
opens and Phillip Jeffries enters the hallway, headed towards Cooper,
who doesn't see him because he is staring intently into the camera.
Cooper runs back to the surveillance room and sees on the monitor
himself staring into the camera, then Phillip Jeffries walking past him
towards the camera.
-- Albert and Cole are staring at Jeffries. Cooper runs in.
Cole: PHILLIP, IS THAT YOU?
{Albert stands up. Jeffries moves into the room.}
Cooper: {looking at Phillip} Phillip?
Cole: COOPER, MEET THE LONG LOST PHILLIP JEFFRIES. YOU MAY HAVE
HEARD OF HIM FROM THE ACADEMY.
Jeffries: Well now, I'm not going to talk about Judy. In fact, we're
not gonna talk about Judy at all. We're gonna keep her out of it.
Cooper: Gordon...
Cole: I KNOW, COOP.
J: {pointing at Cooper} Who do you think this is there?
A: Suffered some bumps on the old noggin', eh, Phil?
Cole: WHAT THE HELL DID HE SAY THERE, ALBERT? {pointing at Cooper}
THAT'S SPECIAL AGENT DALE COOPER. {focusing on Jeffries} FOR GOD'S
SAKES, JEFFRIES, WHERE THE HELL HAVE YOU BEEN? YOU'VE BEEN GONE DAMN
NEAR TWO YEARS.
J: I wanna tell you everything.
{Static. Then flashback to a dirty run-down room. A man dressed in
red, holding a stick. There are seven others. The MFAP
and BOB are sitting at a table. By the far wall are Mrs.
Tremond/Chalfont and her grandson, two woodsmen, and another man.
On the table is a pan with creamed corn.}
MFAP: Garmonbozia. This is a formica table.
J: Oh, believe me, I followed!
MFAP: Green is its color.
J: It was a dream. We live inside a dream.
Pierre: {pointing} Fell a victim.
MFAP: With this ring, I thee wed.
J: Ring. It was above a convenience store.
{Woodsman raises and lowers his arm twice.}
MFAP: Electricity.
J: Listen all, listen carefully. I've been to one of their meetings.
{Man in red jumps back.} ???, I found something! And then there
they were.
{Pierre pulls the mask from his face. It's Pierre. He replaces the
mask and pulls it away. Chimp. BOB and MFAP go beyond red curtains.
Jeffries screams. Static.}
Cole: HE'S GONE. HE'S GONE. ALBERT, CALL THE FRONT DESK.
A: {on phone} I've got the front desk now. He was never here. And
news from Deer Meadow. Agent Chester Desmond has disappeared.
Cooper: Gordon, what's going on?
-- Cooper plays back the surveillance camera tape for Cole.
Cooper: He was here.
Cole: But where did he go? And where is Chester Desmond?
Day
-- Rodd points the way to Cliff's trailer but Cooper picks up the same
vibe that struck Desmond and walks in the opposite direction.
R: {pointing} That's her trailer over there, I never touched a
goddamn thing. Agent Chet Desmond come by a second time and asked
to see Deputy Cliff Howard's trailer over here which I showed him.
Then I went back to my trailer, and after that, never saw him again.
C: Thank you Carl. Sorry to wake you. {walks}
R: All right. Was having a bad dream anyway. {notices} That's not
the way out to Deputy Cliff's trailer, I told you.
C: I'm not going to Deputy Cliff's trailer.
R: Well where the hell are you going?
C: I'm going over here. {walks}
R: What's over there? Goddamn these people are confusing.
-- Cooper finds tire tracks where a trailer used to be.
R: What're you looking for?
C: What was here, Mr. Rodd?
R: Trailer was here. What the hell'd you think?
C: Can you tell me who's trailer it was... and who stayed in it?
R: {thinking} Uh... an old woman and her grandson.
C: Can you tell me what their names were?
R: Chalfont. As a matter of fact, Chalfont was the name of the
people that rented the space before. Two Chalfonts. Weird, huh?
C: {notices the car} Is that Agent Desmond's vehicle?
R: Yup, sure is.
{They walk to the car. On the windshield, in red, is written, "Let's
Rock."
4:20 pm (Cooper to Diane)
Cooper: {into recorder} Diane, it's 4:20 pm. I am standing here at
Wind River near the location where the body of Teresa Banks was
found. Diane, this case gives me a strange feeling. Not only has
Special Agent Chester Desmond disappeared without a trace, but this
is one of Cole's Blue Rose cases. The clues that were found by
Special Agent Desmond and Agent Stanley have led to dead ends. The
letter that was extracted from underneath the fingernail of Teresa
Banks gives me the feeling that the killer will strike again. But
like the song goes, "...who knows where or when."
Aug
-- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
-- Laura begins seeing Dr. Jacoby ("6 months," Jacoby to Cooper, 1004)
Sep
-- Leo cited for an aggravated assault. Charges later dropped. (Cooper to
Leo, 1003)
-- Ernie Niles gets out of jail ("6 months," Ernie to Hank, 2008)
Oct
-- Lucy starts seeing Dick every Thursday night ("for 3 months," Lucy to
Dick, 2003)
Dec
-- Laura begins seeing James ("2 months ago," Donna to mom, 1001)
-- Laura and James are in the woods and Laura recites some poem about
fire, and asks James "You want to play with fire, little boy?
Would you like to play with Bob?" ("one night when we first started
seeing each other," James to Truman, 2001)
Jan 1989
-- Truman starts seeing Josie ("6 weeks," Truman to Cooper, 1000)
-- Lucy and Dick have an encounter on a display bed in Horne's Home
Furnishings ("6 weeks," Lucy to Dick, 2003)
5 Feb (Sunday) (Cooper to James, 1000)
-- Laura and James and the locket
6 Feb (Monday) (date at top of page in diary, 1000)
-- "Day One" (entry in Laura's diary).
Diary: Ran 3 miles today. I am exhausted. Kitty got new collar.
12 Feb (Sunday)
-- The picnic ("2 Sundays ago," James to Cooper, 1001)
15 Feb (Wednesday)
9:15 pm ("last night," Donna to Laura)
-- James calls Donna looking for Laura
16 Feb (Thursday)
Morning
-- In Twin Peaks, Laura walks outside her house, address 708.
-- Donna joins Laura in walking to school. They pass Mike and Bobby.
D: Yeah, Mike, you're the real man.
M: That's right, Mike *is* the man.
B: Mike... {with Mike in unison} *is* the man.
B: Laura Palmer, see you later.
-- Laura runs into James at school
-- Laura ducks into the bathroom to do a quick hit of cocaine.
Schoolbell rings.
2:30 pm (clock on wall)
-- Bobby's late to school again. He kisses the trophy case with Laura's
picture in it.
-- James and Laura meet in the custodian's room.
L: Kiss me.
J: It does matter. We're in love.
L: James, you don't know what you're talking about. Quit trying to
hold on so tight. I'm gone, long gone... like a turkey in the corn.
J: You're not a turkey. A turkey's one of the dumbest birds in the
world.
L: {in tears} Gobble... g-gobble, gobble.
J: Don't leave me. Laura, don't. I'll never leave you.
They make love on the floor.
End of school (bell ringing)
-- Bobby's pissed at Laura.
B: Hey! Where were you for the last hour? I've been looking all over
for you.
L: I was standing right behind you, but you're too dumb to turn
around. {to Donna} If he turned around, he might get dizzy and fall
down. {grabbed by Bobby}
B: Oh yeah? You'll be callin' soon and maybe I won't be around.
L: {smooth, smiling} C'mon, Bobby. C'mon... C'mon.
B: {can't hold it, smiles} Love ya, baby.
Bobby dances back into school. The other kids start dancing in a daze
also when Bobby starts.
After school
-- Donna and Laura at Donna's.
D: Are you gonna see James tonight?
L: Why are you suddenly so interested in who I'm gonna see at night?
Night time is my time.
D: You're telling me. That's only because you won't let me in on
any of it. You're not gonna see Bobby, are you?
L: Maybe.
D: My God, Laura.
L: Well, why not?
D: 'Cause Bobby's a loser. You said so yourself. He's a goon.
James is the one. He loves you with that everlasting love.
True love.
L: Yes, James is very sweet. Why don't you get out your violin,
Donna?
D: Sweet. God, he's gorgeous.
L: Yes, James is very sweet and very gorgeous.
D: I wonder if Mike could ever write a poem. {Laura laughs.} Do you
think that if you were falling in space that you would slow
down after a while or go faster and faster?
L: {swallows} Faster and faster. For a long time you wouldn't feel
anything. Then you'd burst into fire... forever. And the angels
wouldn't help you... 'cause they've all gone away.
-- Laura returns home. No one else is home. She goes to her room,
lights up a cigarette. She gets out her private diary from behind the
dresser, ready to write in it, when she notices pages are torn out.
She panics, taking it and running from the room.
-- Laura arrives at Harold's.
H: Laura...
L: {holding diary} My secret diary. There are pages missing.
H: Who would do that?
L: Bob.
H: But Bob is not real.
L: There are pages torn out - that is real, Harold.
H: {taking diary, flipping through it} Well, maybe...
L: Bob is real. He's been having me since I was 12. {Harold is
stunned} And the diary was hidden too well. There is no other
person who could've known where it was. He comes in through my
window at night. He's real. He's getting to know me, now. He
speaks to me.
H: What does Bob say?
L: {shaking} He says he wants to be me... or he'll kill me.
H: No... No...
L: {strangely} Yes... yes... {starts toward Harold}
H: What? Please. What?
L: {Feeling of Bob comes over her. Harold leans back. Laura grabs
him.} FIRE WALK WITH ME. {makes a face, then buries her face
in his shoulder, crying, whispers:} The trees... the trees...
{they break} You have to hide the diary, Harold. You made me write
it all down. He doesn't know about you. You'll be safe. I'm sorry.
{she kisses him, crying, then gets up to the door} I don't know when
I can come back. Maybe never. {leaves}
-- Laura dazed under the fan.
BOB: I want to taste through your mouth.
17 Feb (Friday)
Day
-- Cooper talks to Albert.
C: Lately I've been filled with the knowledge that the killer will
strike again. But because it is just a feeling, I am powerless to
stop it. One more thing Albert. When the next murder happens,
you will help me solve it.
A: {gets up from desk, buttons his coat} Let's test it for the
record, Coop. Will the next victim be a man or a woman.
C: Woman.
A: All right. What color hair will she have?
C: Blonde.
A: Tell me some other things about her.
C: She's in high school, she is sexually active, she is using drugs.
She is crying out for help.
A: Well damn, Cooper, that really narrows it down-- you're talking
about half the high school girls in America! What's she doing right
now?
C: She's preparing a great abundance of food.
-- At the RR, Norma sends Shelly to help Laura take the Meals on Wheels
meals to the car because Heidi has a bloody nose. As Laura puts the
dinners into the back of the car, she sees Mrs. Tremond/Chalfont and her
grandson in the parking lot waving for her to come over. Laura walks
over, and Mrs. Tremond/Chalfont holds out a framed picture.
T: This would look nice on your wall.
{Laura takes the picture. It's of a room with flowered wallpaper
and a dark doorway in its corner}
G: The man behind the mask is looking for the book with the pages torn
out. He's going towards the hiding place. He's under the fan now.
Laura sees Shelly coming out of the RR with another load of meals.
She turns back to see the Tremonds walking away, unrealistically far,
then tells Shelly she can't do Meals on Wheels today.
-- Laura runs home, holding the picture. She enters her house, moving
slowly. When she gets to her room, she sees Bob standing there,
having pulled out the dresser. He screams at her and she bolts from
the room. She runs across two front yards to a big tree, crying, and
watches as Leland walks out of the house, into his car (license 758-EAK)
and drive off. Laura denies to herself that it's her father.
-- Laura arrives at Donna's in tears.
L: Donna... Are you... are you my best... are you my best friend?
D: Of course. What is it, Laura? What's wrong? {they hug} I'm
your friend always.
Dusk
-- Laura arrives home for dinner. Leland is already seated.
Leland: Hi honey. How's Donna?
Laura: Fine.
Leland: School?
Laura: School's fine.
Leland: Sit down. {Laura takes off her jacket, drapes it around her
chair and sits} Sit down. Are you hungry?
Laura: Not really.
Leland: {notices the half-heart necklace} You didn't wash your hands
before you sat down to dinner, did you. {gets up, goes over to
Laura} Let me see. {takes her hands}
Laura: All right...
Leland: Oh, these hands are filthy. Look, {indicating the ring finger
of the left hand} there is dirt way under this fingernail.
Sarah: {enters with a bowl of mashed potatoes, sets it down on the
table} Leland, what are you doing?
Leland: Look at this finger here.
Sarah: Leland...
Leland: Laura did not wash her hands before dinner. {grabs the
half-heart necklace} Oh, look at this.
Laura: {trying to push his hands away} Don't...
Leland: Oh, is it from a lover? Did you get this from your lover?
Sarah: They don't call them lovers in high school, Leland.
Leland: Bobby didn't give you this.
Sarah: How do you know Bobby didn't give her that?
Leland: {pinches Laura's cheek} Did Bobby give you this? Or is
there someone new?
Sarah: {scared} Leland, Leland, no, don't do that, she doesn't like
that.
Leland: How do you know what she likes?
Sarah: Stop it! Stop it!
{Leland lets go of the necklace and sits down.}
Sarah: Now you sit down and we'll all have dinner.
Leland: Oh, I'll sit down, but not a one of us is going to start
eating until Laura washes her hands. {to Laura} Wash your
hands!
{Laura, in tears, gets up. Terrified, she washes her hands.}
10:35 pm (clock)
-- Leland and Sarah get ready for bed, when Leland begins to cry. He
goes and tells Laura he loves her. Laura is frozen, in tears. She looks
at her painting on the wall, then remembers she left the picture from
Tremond/Chalfont on the neighbor's lawn so she gets it and puts it on
her wall.
-- Laura dreams.
{The picture. Into the picture and through the doorway.
There's another room. Mrs. Tremond/Chalfont is standing there,
beckoning us towards her and through another doorway. Through the
second doorway. Another room. Pierre is standing there. He snaps
his fingers and a light shines. Red room. The ring is on a table.
Cooper enters.
MFAP: {to Cooper} Do you know who I am? {Cooper shakes his head}
I am The Arm. And I sound like this... {Puts his hands
in front of his lips and makes the Indian whooping sound. He picks
up the ring. It's Teresa's. The symbol on it is identical to
the petroglyph on the end of the pole at Owl cave.}
Cooper: {to camera} Don't take the ring... Laura, don't take the
ring.
{Laura is half awakened, tries to move her left arm, but it's
asleep. She moves it with her right arm. She looks at her door,
then turns to her left to see Annie Blackburn in bed with her, blood
around her mouth.
Annie: My name is Annie. I've been with Dale and Laura. The good
Dale is in the lodge and he can't leave. Write it in your diary.
{Laura looks at the door, then at her bed. Annie's gone. In her hand
is Teresa's ring. She's scared. Sarah calls, "Laura," distant,
mournful. She gets up, goes to the door, opens it. Dark on
the other side, accompanied with the Indian whooping sound. She
looks back at the picture and sees herself in the doorway looking
back into the darkened rooms where Mrs. Tremond/Chalfont and her
grandson were. Laura in the picture turns around and looks down at
her room, sees herself asleep.}
{Laura wakes from the dream, no ring in her hand, and looks at the
picture. She takes the picture down.}
18 Feb (Saturday)
Day
-- Leo shows Shelly how to scrub the floor.
L: This is where we live Shelly!
S: As if I didn't know.
L: Let me show you how to wash this tile and then you're going
to do it.
S: Come off it, Leo. I have to get ready for work.
L: {stops} What did you say? {pulls Shelly down}
Shelly, I'm not fooling around anymore! The first thing you're
gonna learn is to have a good attitude! That's the key! Anybody'll
tell you that! {phone rings, Leo gets up, slaps Shelly} Don't
even think about going anywhere, I'm not finished with you!
{answers phone} Yeah.
Bobby: Leo. Bobby.
L: What're you doing calling me here?
B: I'm sorry, um, the football's empty. I'm looking for Santa
Claus.
L: No way, you already owe me money. Five thousand to be exact.
{Shelly mouths to herself, "Five Thousand???", Leo wonders if Shelly
heard}
B: Leo, are you telling me there's no Santa Claus?
-- Bobby calls Jacques.
J: Yeah, Roadhouse.
B: Jacques. Bobby. I need some things man.
J: How come you only call me when you're desperate? You desperate,
baby?
B: Are you interested or not?
J: Maybe, Bobby. Maybe. Maybe. For 10K I have a friend who has what
you want. Oh, his stuff is the best.
B: Hit me. {starts writing some stuff down}
J: Two days. Midnight. By the sound of sawing wood.
B: Jacques you crazy fuckin' Canadian. This sounds big.
Night
-- Donna arrives at Laura's just as she is getting ready to leave.
D: Where're you going?
L: Nowhere fast. And you're not coming.
D: Laura, come on. Remember me? I'm your best friend. {Laura's
not responsive} Laura, aren't you going to fix me a drink?
Where are the cookies?
L: You mean Fred and Ginger?
D: Dancing... {notices lots of butts in the ashtrays} If I had a
nickel for every cigarette your mom smoked, I'd be dead.
L: I'll call you tomorrow. {leaves}
-- Laura arrives at the Roadhouse. At the entrance, she meets the Log Lady.
LL: When this kind of fire starts, it is very hard to put out.
{Touches Laura's forehead.} The tender bows of innocence burn first
and the wind rises - then all goodness is in jeopardy.
Laura pauses to look at her reflection before walking in.
-- Inside the Roadhouse, a singer sings on stage. Laura sits down and
cries. Donna walks in and sits down. Laura nods to Jacques behind the
bar. Jacques motions to a couple of guys who come over to her with
drinks. One slides her a fifty. She looks at it.
Laura: So you want to fuck the homecoming queen.
Buck: Let's go around the world, babe.
L: {picks up the fifty} This isn't gonna get you to walla-walla.
B: You do go all the way, don't you, little girl?
L: Sooner or later. {grabs his balls} You willing to go all the way?
Huh? You gonna do it to me? {let's go}
{Donna wipes a tear and walks to the table.}
D: Let's boogie.
L: What the hell are you doing?
Tommy: Are you part of the deal?
L: No, she isn't.
{Donna picks up a drink and downs it. Laura kisses Buck passionately.}
L: What did you say your name was?
B: Buck.
L: {nods} That's really nice, Buck. {looks at Donna}
{Donna kisses Tommy passionately.}
B: Yeah...
L: Okay, Donna, let's go.
-- Inside a place in Canada, Laura and her friends meet Jacques.
L: {to Donna} Welcome to Canada... Don't expect a turkey dog in here.
J: Hey slowpokes. Guess what?
L: What?
J: There's no tomorrow. Know why, baby? Because it'll never get
here.
L: Hey Jacques.
J: I'm not Jacques. I am the Great Went.
L: I am the Muffin.
J: And what a muffin you have. {makes motions of shooting his brains
out} I am as blank as a fart.
{They trade drinks around and Buck drops something in Donna's drink.}
L: Chug-a-lug, Donna.
{They drain their bottles}
-- Laura's topless, dancing with Buck
-- Donna's stoned, dancing with Tommy. She sees Laura's blouse and
ties it around her waist. Ronette's here too.
L: I haven't seen you since I was thrown out of One Eyed Jacks.
R: What else did we do together? Oh, I remember... {smiling}
J: {to Laura and Ronette} The party twins. My high school
sandwich. Let's put some meat inside.
R: She's been dead a year.
J: Who?
R: Teresa.
L: Teresa Banks? Yeah, a whole year.
R: Yeah, she was going to get rich blackmailing somebody.
J: That's right. She called me one day. She even asked me what
your father looked like.
L: {jolted} What?! She asked about my father?
J: Hey, why don't you two come up to the cabin this week? Thursday.
-- Laura and Ronette sitting in a booth. Laura snaps her finger and points
down. Buck goes down, pleasing the two.
R: Here we go again... like we're back at One Eyed Jacks.
L: {in pleasure} Oh, God. It sure is.
{Laura and Ronette enjoy themselves.}
R: Oh shit. Is that Donna Hayward?
{Laura opens her eyes, white light, then she screams, getting up
to get Jacques to help get Donna out of there, who's topless and
having a good time with Tommy. Laura screams at Donna never ever
to wear her stuff.}
L: Donna, not you... {Jacques carries Donna out}
19 Feb (Sunday)
Late morning
-- Leland drives up to the Hayward's. Inside, Donna and Laura talk.
D: Hey, how'd I get in my house? How'd I get in my bed?
L: Life is full of mysteries, Donna.
D: Were you mad at me for wearing something of yours?
L: I don't want you to wear my stuff.
D: I do love you, Laura. {they hug}
L: I love you, Donna. But I don't want you to be like me.
D: Why do you do it?
-- Leland walks in and flashbacks to Laura and Ronette sitting on a bed.
Leland: Excuse me, honey. We're late to meet Mom for breakfast.
Laura: {to Donna} Catch you later.
D: {to Laura} Bye.
Leland: {to Donna} Bye bye, Donna.
D: {to Laura} Bye.
-- On the road, the OAM follows, accompanied by the Indian whooping sound.
Leland stops behind a logging truck which has stopped due to two old
people crossing the road. Laura smells something burning. The OAM
races around the logging truck and comes back around, stopping on
Leland's side. Leland starts to rev the engine while staying on the
brakes.
OAM: You stole the corn! I had it canned over the store!
{shouting to Laura} And Miss, the look on her face when it was
opened. There was a stillness! {dog barks} Like the formica table
top! {the car smokes, making horrendous sounds, barely able to hear
OAM} The thread will be torn, Mr. Palmer, {dog barks} the thread
will be torn! {Leland turns to Laura, he's sweating profusely. The
OAM holds up his hand with a ring on the little finger. Leland
starts blowing the horn.} It's HIM! IT'S YOUR FATHER! {Laura
can't make him out with the noise}
The logging truck moves and the OAM takes off. Leland drives into a
service station.
Mechanic: Don't do that to your engine! You oughta take it easy,
Mister.
Leland: Why doesn't somebody do something about this? A man comes
out of the blue like that -- and starts screaming at you like a
crazy person and harrassing my daughter?! {to Laura} Are you
all right, honey?
Laura: {scared} Dad, are _you_ all right?
-- Leland flashes back to himself answering Teresa's ad in Fleshworld
and their meeting in a motel.
L: Teresa Banks. You look just like my Laura.
T: So when's the next business trip, big boy?
L: Ah, soon. And next time, let's party with those girlfriends you
told me about.
T: Sure. I can arrange that. {Leland covers Teresa's eyes}
What are you doing?
L: Who am I?
T: I don't know.
L: That's right.
-- Laura and Leland.
Laura: Dad? Dad?! {Leland jolted out of flashback} WhO _WAS_ THAT?!
He looked... familiar, have I met him?
Leland: No, you haven't met him. Have you met him?
Laura: No!
Leland: Let's go get your mother.
Laura: {still shaken} No, no, just sit here for a moment.
Leland: {kills engine} Oh my God, a man comes out of the blue like
that. What's the world coming to?
-- Leland flashes back to himself arriving at the motel and seeing Laura
and Ronette on the bed. He is about to leave but Teresa catches him.
T: Hey handsome.
L: Hi. {pulls her aside}
T: What's wrong?
L: Nothing. I chickened out. {gives her money, takes off. He sees
Pierre do a dance with the white mask and stick. After Leland walks
off, Pierre disappears.}
-- Laura and Leland.
Laura: Dad?
Leland: Yes?
Laura: Did you come home during the day last week?
Leland: No... {shakes head, to mechanics} LEAVE US ALONE!!
GODDAMNIT GET BACK TO YOUR WORK!!
Laura: {shaking} I thought... I saw you.
Leland: Oh God, you know? I did stop home on Friday, come to think
of it. I had a severe headache and I was in the neighborhood
so I darted in and out of the house to get some aspirin.
Where were you, Laura? I didn't see you.
Laura: {scared} Um... I was just down the street...
8:00 pm (clock)
-- Laura flashbacks. She remembers the ring the OAM had, the one
the MFAP had and the one Teresa had. She realizes it's the same.
White light on the ceiling.
L: Who are you? Who are you REALLY?
-- Leland flashbacks to him crushing Teresa's skull. Before he strikes
the TV, the Indian whooping sound is heard.
21 Feb (Tuesday)
Morning
-- In her room, Laura sniffs the last of the cocaine in her packet
Day
-- Laura meets Bobby at school.
B: Hey.
L: I'm nearly out.
B: Taken care of, babe. You and I are gonna make a big score
tonight. What is that? {pulls packet from behind her ear}
But this should tide you over.
L: Thanks. {takes packet} A big score?
B: Maybe our biggest. Don't tell Mike. This is just behind you and
me. Tonight, meet me two doors down from your place at 11.
Midnight (Jacques to Bobby)
-- Bobby and Laura in the woods. They toot up and wait.
L: Bobby, I found a little pine cone. {shows him pine cone}
B: Shut up, shut up, shut up.
L: Bobby, I found some dirt.
B: Shut up, shut up. Here he comes.
Deputy Cliff Howard shows up.
B: Who sent you?
C: Jacques.
L: That's right. {pulls out a large bag of cocaine, Laura grabs it
out his hand} Wow.
C: Like that little girl? {starts to pull out his gun}
B: WHAT?! {Laura screams, Bobby pulls out gun and shoots Cliff, still
standing, shoots again, Cliff moves, shoots again}
L: OMIGOD! Oh my God. Bobby, what did you do?
B: {shocked} I shot him. Oh my God! I shot him! Fuck! {starts to
throw dirt on Cliff} Get over here and help me! C'mere! Fuck!
{Laura still, then bursts into laughter. Bobby shakes her} Shut
the fuck up, this isn't funny, Laura! This is not fuckin funny.
Now help me bury him. Shit.
L: Bobby, you killed Mike.
B: This isn't fuckin Mike!! {looks back at Cliff} This is Mike?
L: Bobby, do you realize what you did? You killed Mike.
B: Shut up.
L: {laughs} Bobby, you killed Mike.
B: Shut the fuck up!! Shut the-- C'mon let's get the fuck out of
here! C'mon... Let's get the fuck out of here... the fuck out
of here... c'mon... {Laura still laughing}
22 Feb (Wednesday)
Day
-- James sees Laura outside her place.
J: Where were you last night? I thought we were supposed to get
together. {Laura looks at him, around} You're on something
again.
L: {sighs} James.
J: So, when will I get to see you?
L: {sees that Leland is standing on the porch} I gotta go.
-- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)
-- Laura writes in her secret diary (Donna to Cooper, 2009)
February 22. Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair. I tried to talk to him. I wanted to tell
him who BOB is, because I thought he could help me. But my
words came out slow and odd. It was frustrating trying to talk.
I got up and walked to the old man. Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB. BOB's only afraid of one man. He
told me once. A man named Mike. I wonder if this was Mike in
my dream. Even if it was only a dream, I hope he heard me. No
one in the real world would believe me.
Night
-- Laura in her room tooting up
-- Leland gives Sarah a drugged glass of milk. After she finishes it, he
walks into the hallway and hits the fan switch, starting it. Laura
freezes. Sarah nods off while reading "How to Speak German" and sees
the white horse. BOB enters Laura's room through the window and gets on
top of her. She fights, holding his face, trying to see it.
L: Who are you... who are you?!
BOB becomes Leland. She screams, screams.
23 Feb (Thursday)
Morning
-- The Palmers at breakfast.
Leland: Laura, honey... I really would like to talk to you.
Sarah: Laura, sweetheart. {Laura quickly gets up, puts her bowl in
the kitchen and goes upstairs} Laura... {lights up}
-- Laura gets ready for school.
Leland: {walks into Laura's room} Laura, honey? Sweetheart?
Is something wrong this morning?
Laura: {meaning it, hissing} Stay away from me. {leaves}
{Leland knows she knows and he knows what he has to do.}
-- Laura goes to school. The day is a blur.
After school
-- Ronette's parents think she went to work at the perfume counter but
she had in fact quit (Hawk to Cooper, 1002)
5:00 pm (Josie to Cooper and Truman, 1001)
-- Laura arrives at Josie's for her English lessons
6:00 pm ("an hour later," Josie to Cooper and Truman, 1001)
-- Laura leaves Josie's. L: I think now I understand how you feel about
your husband's death.
Early evening
-- Last entry in Laura's diary: "Nervous about meeting J. tonight."
(She remarks about having asparagus for dinner again, 1000)
-- Laura writes in her secret diary (Donna to Cooper, 2009)
February 23. Tonight is the night that I die. I know I have
to because it's the only way to keep BOB away from me. The
only way to tear him out from inside. I know he wants me. I
can feel his fire. But if I die he can't hurt me anymore.
-- Bobby meets with Leo and gives him $10,000 (Bobby to Mike, 1001)
-- Leo calls Shelly ("last night," Shelly to Bobby, 1000)
-- Ben is with Catherine (Ben to Jerry, 2008)
-- Laura at Bobby's.
{Laura and Bobby are on a couch, kissing, Laura pulls away}
L: Not tonight... Just... give me some stuff to hold me over
'til tomorrow.
B: Why? Why not? Where are you going? {again} Where are you
going??
L: I'm going _home_, Bobby.
B: You don't want me. You just want the blow, don't you?
Okay. {gives some to her}
9:00 - 9:30 pm
-- Laura returns home from Bobby's. (Sarah tells Truman she last saw
Laura when she got home about 9:00, 1000. Bobby answers yes when
Cooper asks him, "she was studying at your house until about 9:30.
Isn't that right?", 1000)
L: Goodnight.
Sarah: Goodnight, sweetheart.
-- Laura toots up
-- James calls. [Albert confirmed, however, that the one call Laura
received was placed from Ben's office, 2009]
L: James... Yeah, okay... Oh James, I do love you. Yeah, okay.
I'll meet you in 15 minutes. {phone slips away, she gets it,
puts it to her other ear, wrong way} I'll meet you in 15 minutes.
{readjusts phone} Okay? I'll meet you in 15 minutes. {hangs up,
to herself} God, why did I say that? 15 minutes...
She looks at her painting and the angel disappears.
-- Laura sneaks out of her house. James arrives and she gets on his bike
as Leland watches out the front window.
10:00 pm
-- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)
Night
-- James and Laura stop at a clearing in the woods.
J: The hell's wrong with you?
L: That's right. There's no place left to go is there, James?
J: The hell's that supposed to mean?
L: You know it and I know it.
J: What's wrong with us? We have everything.
L: Everything but everything.
J: Laura...
L: {mocking} Lau-ra... {slaps him}
J: {smiles} You always hurt the ones you love.
L: You mean the ones you pity.
J: Say whatever you want. I know you love me, and I love you.
L: {they kiss} I do love you, James. {whispers} Let's get lost
together. {break, scared} Shit!
J: What?
L: He might try to kill you!
J: Laura! {Laura screams} What's wrong?
J: What?
L: If he finds out.
J: Laura, what's the matter?
L: Bobby killed a guy.
J: What are you talking about? Bobby didn't kill anybody.
L: Do you want to see?
J: See what?
L: Right. Open your eyes, James. You don't even know me. There
are things about me even Donna doesn't even know me. Your Laura
disappeared. It's just me now.
J: Laura... {grabs her, she twists out}
L: What about this, James? {flips him the bird, he kisses her hard
but she is ice cold} I think you want to take me home now.
12:30 pm (full moon)
-- Laura jumps off James' bike at Sparkwood and 21 (James to Cooper, "at
Sparkwood and 21," 1001)
J: LAURA!
L: DON'T!
J: C'MON!
J: DON'T! JUST DON'T!! {hugs him} I LOVE YOU, JAMES!! {runs off}
-- In the woods, Laura meets up with Ronette, Leo, and Jacques
J: Right on time, baby.
1:00 am (Cooper to cops, 2001)
-- At Jacques', everyone is high. Laura is tied up.
L: {being tied up by Jacques} Don't. Jacques, don't. DON'T TIE ME
UP TONIGHT!!
Ronette is also tied up.
-- Waldo is let out of his cage and pecks at Laura, and Leo puts a OEJ
chip in her mouth and says, "Bite the bullet, baby." (Jacques to Cooper,
1007)
-- Leland appears at the window, unseen.
-- Jacques, zipping up, walks out of the cabin. Leland trips, grabs the
bottle, knocks it over Jacques' head, and kicks him some. Leo hears the
crash and comes outside to see Jacques bleeding. (Jacques thinks Leo
hit him, Jacques to Cooper, 1007) Leo panics and takes off in his
Corvette. Leland goes inside.
-- Leland marches the two tied up girls through the woods
-- Out of breath, the OAM arrives at the cabin, too late. He can hear
screams.
-- At the train car. BOB and Leland going in and out like breathing. Girls
shuddering as he circles them. He ties Laura up with the twine,
bending the arms back. Ronette praying. Leland puts a mirror under
Laura and she screams when she sees herself become BOB. Leland shows
the diary pages to Laura.
Leland: {shows pages} Your diary. I always thought you knew it
was me.
Ronette continues to pray, then an angel appears and breaks her bonds.
OAM: {arrives outside, bangs on the door} LET ME IN. LET ME IN.
Ronette pushes it open a little, the OAM reaches up, Leland punches
her a few times and shoves her out. The OAM tosses the ring inside.
Door is shut. Laura puts on the ring.
Leland: NOOOO!! DON'T MAKE ME DO THIS!! NOO!!!
Leland stabbing. Laura dead. OAM leaves.
-- Leland puts a letter R under Laura's fingernail (Cooper finds it, 1000)
and puts Laura's half-heart necklace on a small mound of dirt. He writes
in his own blood on a small piece of paper, "Fire walk with me." (Cooper
finds all this, 1000)
-- Leland wraps Laura in plastic and hauls her out over his shoulder.
His shirt is puffed out and bloody. He kicks over Ronette but she is
unresponsive.
-- Leland washes his hands with industrial soap and then kisses Laura
(Albert to Cooper, 1003)
-- Leland lowers Laura into the river
-- Leland at Glastonberry Grove. He pulls the diary pages out of his
pocket and drops them and the towel. (Hawk to Cooper, 2021)
-- Leland enters the curtains. The OAM is sitting there with MFAP.
Leland levitates and divides. One half becomes BOB, the other floats
up and becomes Leland. MFAP puts his hand on the OAM's armless
shoulder.
MFAP and OAM in unison: BOB... I want all my garmonbozia.
BOB reaches up and grabs Leland's wound, healing it and tossing the
blood to the floor.
-- Mouth eating corn. Chimp.
-- James rides around the rest of the night (James to Donna, 1000)
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